Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,   Related Paintings of Raimundo de Madrazo y Garreta :. | Versailles, le jardin du Roi | The Model Aline Masson with a White Mantilla | A Gypsy | Florentika | Marquise d' Hervey Saint-Denys |
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Isaac Israels
Dutch, 1865-1934 Son of Jozef Israëls. He was largely self-taught, showing precocious talent and attending the Academie in The Hague in 1878-80. His first paintings date from 1880-84 and include a self-portrait, portraits of women and military subjects such as Bugle Practice. They were composed in the studio in a precise style, soft grey and brown tones predominating, showing the influence of the Hague school. In 1887 Israels moved to Amsterdam, where he was at the centre of the Tachtigers of writers and painters. Among his friends were George Hendrik Breitner, Lodewijk van Dyssel, Frans Erens, Max Liebermann, Jan Pieter Veth and Jan Voerman. In Amsterdam, after a brief and abortive period at the Rijksacademie, he sought a more fluent technique with which to record contemporary life. His drawings and watercolours are predominantly of cafes, cabarets, dance halls and the street life of Amsterdam. In 1889 he visited Paris, where he met St phane Mallarm, Berthe Morisot, Odilon Redon and Emile Zola. In 1894 he painted Three Servant Girls, the first of his plein-air pictures. From then on he applied transparent colours to capture the fleeting effects of light in oil, watercolour and pastel. His oils were painted in flat broad strokes. For the rest of his life he employed his very personal Impressionist style, which emphasized the interplay of light, colour, line and movement. His favourite subjects were beach, street and park scenes
Pietro Antonio Lorenzoni
Pietro Antonio Lorenzoni (1721 - 1782) was an Italian painter who is believed to have painted several portraits of Wolfgang Amadeus Mozart and his family: "The Boy Mozart" (1763), his sister Maria Anna Mozart in "Nannerl as a Child" (1763) and a portrait of their father Leopold Mozart (c. 1765). He arrived in Salzburg, Austria in the 1740s and first wanted to paint Wolfgang and Nannerl. His protege, Johann Nepomuk della Croce, painted a Mozart family portrait in 1780.
Ilya Yefimovich Repin
1844-1930 After training with a provincial icon painter and at the St. Petersburg Academy of Fine Arts, he visited France and Italy on an academy scholarship. On his return he began painting subjects from Russian history. In 1873 he achieved international fame with Volga Boatmen, a grim, powerful image that became the model for Soviet Socialist Realism. Among his best-known works is Ivan the Terrible and His Son Ivan (1895), depicting Ivan's murder of his son. He also painted vigorous portraits (including Leo Tolstoy and Modest Mussorgsky). In 1894 he became professor of historical painting at the St. Petersburg Academy.